Barfi !
Romantic Comedy
Director:
Anurag Basu
Cast:
Ranbir Kapoor, Priyanka Chopra, Ileana DCruz
Barfi
wins your heart even before the credits start. Its cheerful bubbly jingle
advising you to keep your children and cellphones off because the picture has
started sets the tone for the rest of the film.
Surprising,
especially given that most Hindi films with disabled protagonists (like Sargam,
Saajan, Nache Mayuri, Black) are so full of hamming, self-imposed sacrifices
and self-pity.
Not
so Barfi. Although this film is about a deaf-mute man and his search for love,
it is told with humour and sensitivity. Barfi is born to a poor couple in
Darjeeling. His mother passes away shortly after his birth and Barfi-
discovered to be deaf - is brought up by his driver father. Barfi is not a shy
guy, he is a mischief-maker, an attention seeker, an insecure friend and warmly
demonstrative with all those he is attached to. He follows young girls like
Shruti around town declaring his love for them and asking them to be friends
after they reject him. Barfi falls in love with Shruti. And although Shruti is
attracted to him, she prefers to be sensible and marry the man her parents have
chosen for her. Barfi is also deeply attached to the neighbourhood rich girl
Jhilmil who is autistic and whose own parents find her difficult to love. The
film is about Barfi's love for these two women and their love for him.
As
Hindi films go, Barfi is also slightly off-centre in its notions and
motivations of romantic love. It ruminates on love and how it thrives in the
way Barfi and Jhilmil and Shruti need and trust each other. But the story’s
greatest strength is its cheer and charm.
It
treads evenly over the rough terrain of Barfi’s life and losses using slapstick
and sensitivity to show sorrow. With Chaplin’s charm and wit, Anurag Basu makes
Barfi negotiate his way through sticky situations to stick by the people he
loves.
Director
Anurag Basu offers a film which is lovingly detailed, with warm fuzzy layers and
golden hues. Pritam’s music and background score matches the warm cheerful hues
of the film.
The
only problem is its constant and incoherent time switches. The flashbacks are
disjointed and it’s difficult to figure out the chronology of the story within
the different time zones in the film. There is also a spot of suspense that the
film could have easily done without; most in the audience knew whom to suspect
anyway.
Ileana
makes a mature debut. Although she looks too young for her role, she manages to
be competent. Priyanka does a super job. Her Jhilmil is awkward ungainly and
mistrustful but thoroughly lovable. It could have so easily turned into a
Sadma. But Priyanka manages to infuse her autistic character with charm, guile
and intelligence.
Ranbir, of course, rocks. He
bears the vain, mischievous, darling Barfi with such ease and grace; that actor
is truly gifted. All in all, Barfi is warm, tender, spirited and really funny
–a truly delightful film. So the question one would like to ask is: If Anurag
Basu directed Barfi, who in the hell made Kites?